Charles
Atkins has become one of the finest blues men that Florida
has ever produced. His performances interpret blues at its
best, from fast-paced shuffles to foot-stomping rockers
to mournful, slow blues. His playing and singing evoke the
healing power of the blues. Since becoming a driving force
of the Daytona
music scene in the 60's and 70's, Charles has worked throughout
the Eastern U.S. and California. His performances at the
Florida
Folk Festival and at other Florida and Georgia festivals
have been celebrated events.
Charles Atkins cranks out the kind of big-voiced, jump shuffle
blues generally associated with Big Joe Turner, Bobby Blue
Bland and Little Milton. Atkins learned his craft at The
Florida School for the Deaf and Blind in St. Augustine,
just like Ray
Charles before him. "At the school for the blind,
we had about 40 people in the dorm and one piano on the
floor, so you had to wait your turn," Charles recalls.
"I've been playing ever since then, in some way, shape,
form or fashion."
Charles Atkins was born in Daytona Beach Florida, 1944,
October 23. While he was raised in St. Augustine and Daytona
Beach, he attended middleschool in New York City, at the
New York Institute For The Blind. During this time he became
a member of a seven piece band, The Camerons. Dion
Di Mucci of Dion
and the Belmonts fame frequented the band's sets. He
did not graduate from highschool in New York City but, back
in Florida, from the Florida School for The Deaf and Blind.
Once back at the Florida School for The Deaf And Blind,
he joined The D and B Romeos. The band was pretty famous
around those parts of Florida. The Romeos got the chance
to play on a bill with Sam
and Dave. Sam and Dave liked The Romeos and, hired the
Romeos at The King of Hearts in Miami. The King of Hearts
job lasted for not more than two thirds of a summer's break.
The band played each night before Sam and Dave came on to
perform. The owner of the King of Hearts tried to talk The
Romeos in to not leaving the club and becoming a road band
and signing a recording contract. We did not have a manager
at the time from the school who would overrule my decision
not to sign the contract and travel and record. The Romeos
were back in school that September ready for classes as
usual.
In 1963, while playing in The Daytona area with The Lindsey
Morris Band, Charles remembers two young local musicians,
Greg
and Duane Allman, sneaking in the club to come sit in
with the band. Years later, while working on the Chitlin
Circuit, an incident in a Daytona Beach nightclub changed
Charles' life drastically. A stray bullet fired from the
gun during a fight between two lovers hit Charles in the
leg. It must have hit something else first, though, because
it didn't have any force. "It just hit me in the leg
and fell to the floor. That was a sign. After that I hadn't
been in another group until I started working with The Blues
Boys."Soon after his premature retirement from the
stage, Charles attended Florida
State University and earned a degree in Music Education.
Soon thereafter he moved to Los Angeles to work as a songwriter
and session musician. After several years he once more returned
to Florida and began teaching at the Blues Lab at F.S.U.
It was then that he met the Blues Boys. After a year's worth
of successful gigging they recorded "Animal Called
The Blues" and a year later "The Blues Says It
All". Their public appearances included shows at the
1995 & 1996 Florida Folk Festival, openers for such
blues greats as Duke
Robillard, The
Consolers, and headliners for PBS's award-winning Southern
Jam!
More Bio Info:
EDUCATION
Daytona Beach Community College, Daytona Beach, FL, Associate
of Arts, 1978.
Florida State University, Tallahassee, FL, Bachelor of Music
Education
CREDENTIALS
. Currently a Broadcast
Music Incorporated Affiliate (1989 - Present)
. Board member of the Apalachee
Blues Society
. Founder & Director of the Blues Lab at Florida State
University
. Head of the "Sir Charles" blues lab, a non-profit
organization
. Inventor of "Cosmetic Music"
. Board Member and Art Director for the Florida
Arts and Community Enrichment Program
ACHEIVEMENTS
. Recorded, submitted and had accepted the song "Don't
let her die" by Senator Bob Graham for the purpose
of saving the Everglades
. Wrote the album " The Blues says it all" on
Songbear
Productions
. Wrote the album "Animal called the Blues" on
Blues Bear Productions
. Recorded the album "Sweet Voice" on Kingsnake
Records
. Contributed to the book "101
Blues Licks", a publication by Mel Bay Books
. Wrote "I can sing we can sing", which can be
found in a published music production called: " A concise
introduction to music learning": written by William
O. Hughes.
. Wrote the song "Let this love live", Produced
and performed by Ben Tankard.Link to listen to Ben
Tankard. He did it on his Album: The Keynote Speaker
his first release on Atlantic
International Records
. Co-Officiated a Blues workshop with Bonnie
Raitt at the Hollywood Bowl in Los Angeles
. Attended & directed the blues lab at Ray Charles'
lifetime achievement party
. Wrote & performed "The
Original Florida Song" at various functions for
four Florida Governors (Jeb Bush, Lawton Chiles, Bob Graham
and Charlie Crist)
. Directed the blues lab at Britney
Spears' Performing Arts Camp
. Recorded the award winning "Apalachicola
Blues"
AWARDS
. Florida
Folk Heritage Award (2002)
. American Foundation "keeping
the blues alive" Award (2001)
. Tallahassee
Urban League Shining Star (2000)
. Martin Luther King Jr. Celebration community involvement
Award (2000)
. Outstanding Volunteer Service Certificate (1997)
. Florida Folk Life Apprenticeship Award (1996)
. Center for Music of the Americas Award (1994)
. St. Peter Choir Appreciation Award (1993)
. Franklin Music Services Appreciation Award
. Knighted an Official Florida Treasure under the Jeb Bush
Administration
STUDENTS & MENTORS
. Jonathon Dane Gillibrand, founder of the "Sir Charles"
blues lab
. William O. Hughes, teacher, mentor & advisor
. Bob Smith, mentor for the Center for Music of the Americas
. David Wingate, vocal teacher
. Larry Gurber, vocal teacher
. Barbara Ford, vocal teacher
. Cliff Madson, music mentor & advisor
. Janice Hashani, teacher of music pedagogy
. A member of the Montgomery Express on Folkways Records
Smithsonian
Institute
. An original member of the Camerons (See "Out
of the Bronx-Doo-Wop" from Cousin's Vault)
OTHER REFERENCES
Dale Olsen Florida State Music
Michael Bakan Florida State Music
Marcus Roberts Florida State Music
Margaret Van Every Tallahassee Symphony
Rich Miller Florida State University Faculty
Ellen Granger Florida State University Faculty
Mary Thornton EverHeart Independent Artist Tallahassee
Billy Riggsby Independent Artist Tallahassee
Craig Spencer Daytona Beach Attorney
Iris Melton Florida State University School Of Music Staff
(Secretary Of Band and Orchestra)
Gary Anton Club Owner (BradfordVille Blues Club)
Adam Gaffney Band Member
Deb Berlinger Band Member, Website Designer and Manager
Performed in Shows With:
Chicago Beau
Sam and Dave
Bobby Blue Bland
Benny Latimore
The Red Toppers
Wild Man Steve
Paul Montgomery
Robert Cray
Taj maHall
Willie Nelson
Billy Preston
Diana Shore
Ashford & Simpson
Percy Sledge
Floyd Miles
Bill Wharton And The Ingredients
Billy Branch
Craig Reeder
Delta Moon
Dennis Dunn
Perry Osborn
E. C. Scot
Eric Colberson
Danny Butler
Henry Gray
Howard And The White Boys
John Babbage
Jiggs Walker
Johnny Rawls
Keb’ Mo’
Tony Young
Lois Hinners
Longineu Parsons,
Pat Ramsey And The Blues Disciples
Perry Nelson
Phillip Walker
Precious Bryant
Smokin’ Joe Kubek
T. J. Wheeler
The Blind Boys Of Alabama
Tori Sparks
Velma Frye
Bill And Eli
Mark Hodgson
Mark Rustle
Johnny Marshall
Jon Copps
Sam Early
Woody Green
Clarence Bell
Floyd Dixon
Ace Moreland
Alberta Adams
Anita Franklin
Anson Funderburgh And Sam Myers
Bobby Rush
Gary Premich
Roger Williams
Bob Greenly
Carey Bell
Pamela Laws
Avis Berry
Duke Gainers
Little Willie John